intento de archivo de la escena ¿experimental? de buenos aires

Mostrando entradas con la etiqueta -electronica. Mostrar todas las entradas
Mostrando entradas con la etiqueta -electronica. Mostrar todas las entradas

28.5.12

elgier, grinenco, sahlieh - veiled (2012)


elgier, grinenco, sahlieh - veiled (cs207)



Alexander Elgier, piano
Víctor Grinenco, violin, objects & electronics
Samuel Sahlieh, synthesizer, electric bass guitar & tapes

Editado por: Creative Sources
Pedidos en Argentina y Chile : samuelsahlieh@gmail.com

20.5.11

leonel kaplan, diego chamy, ivar grydeland (22.07.2004)


Leonel Kaplan, Diego Chamy, Ivar Grydeland [FLAC]

Leonel Kaplan: trumpet
Diego Chamy: percussion
Ivar Grydeland: banjo and electronic devices

Deck, Valparaiso
22 July, 2004

The Live Music Archive Series is an occasional collection of free lossless downloads of music. The music in this new series is available only as a lossless FLAC download. The decision to release the music in this format only is a conscious, considered one. If you need to know more about FLAC or where to get a free player/converter visit this site. If you have any trouble listening to the music here otherwise drop me a line and I will see if I can make alternative arrangements for you. There is also no audio player on the page, so you cannot just stream the music at the click of a button. Why is this? Well I firmly believe that this kind of music suffers a lot if compressed in any way, and as a lover of music I want to present it in as good condition as I receive it. Also, many people nowadays listen to music via their computer’s internal speakers, which are inevitably not very good. By not adding a stream player at the webpage I hope I am encouraging people to download the music and then either burn it to a disc and play it on the stereo or load it onto their iPod or similar.

text borrowed from “The Listen Series” by Richard Pinnell

www.leonelkaplan.com
sites.google.com/site/diegochamy
www.ivargrydeland.com

3.5.11

jorge haro - early works_8991 (2006)




jorge haro - early works_8991 [download]

1 paisaje permanente [89] 0310
2 dos naturalezas [90] 0503
3 campos [90] 0450
4 extensión continua [91] 0405

exp03ep

www.experimentaclub.com/exp_net
www.jorgeharo.com.ar

29.4.11

mezzo - ostracismo (2006)


mezzo - ostracismo [streaming y download]
Tube 057
Runtime: 12'27''

Miguel Onofri lives in this Argentinian town called Mendoza, population 876 000, not very far from Chile's border and about 1000m above the sea level, up in the mountain plateau. Pretty far away from everything we know, it seems. Nonetheless, Miguel is an active part of an artistic community of visual artists and musicians - Miguel is also a video artist -, they put up shows and invite guest artists, touring around some towns like Córdoba, and they even started their own Netlabel, SincroWeb.
As a sound artist, Miguel is known as Mezzo, putting his laptop to work on low frequency signals and white noise and drone-based minimal electronica. Harsh stuff, and amazingly well done.
'Ostracismo', although being a very small release, inflicts variable levels of damage to our ears. And it's good.
'Track #01' is a small intro of low frequency clicks and cuts, Ryoji Ikeda style, and is somewhat violent. It takes 59 seconds to go away, 'though. 'Track #02', the longest track in this EP, starts with machine errors, like an electrical generator going berserk, sending SOS signals. Slowly, an underlying drone appears and takes control of the track. The rest is up to you to discover.
'Track #03', another short piece, an interlude-type of thing, is of a dissonant type of sound frequencies, a different kind of error, easier on the ears but also very interesting to explore. 'Track #04' is a personal favorite. It's an emotional drone, unfortunately too small to enjoy to its fullness. 'Track #05' is made of another type of interferences. You could almost visualize the wavefields of data being put out. Again, too damn short to put us in a transe. Awesome release. Now, can I have another 40 minutes of this, please?

(txt Pedro Leitão)


22.4.11

andreas brandal + federico barabino - untitled (2009)



andreas brandal + federico barabino - untitled [streaming y download]
Tube 201

49'02''

«'Untitled' is the first collaborative work between norwegian Andreas Brandal and argentinian Federico Barabino. Brandal on electronics and Barabino on prepared electric guitar. Both of them have a vast background of working with improvised music, which is precisely what you will listen to in this work.
All audio material was recorded between October 2008 and January 2009, and consists on 10 tracks of Brandal's manipulation techniques using various electronic tools, both analogue and digital, over several improvised guitar pieces taped by Barabino in Buenos Aires.
All the pieces have numbers as titles, which have no particular meaning, as they all are random attempts at eviscerating guitar samples, through drone, glitch and noise manipulation.
You'll find pretty much sonic chaos here, but it's lovely chaos in all its glory.»
- Pedro Leitão


www.monocromatica.com/netlabel/index.htm

www.federicobarabino.com.ar
www.andreasbrandal.com

13.12.10

sahlieh/grinenco/riquelme - travel recordings i (2010)




sahlieh/grinenco/riquelme - travel recordings i (2010) [free download @ bandcamp]

Recorded in Santiago de Chile on November 29, 2010.
Total Time: 28:09

Released 12 December 2010
· Samuel Sahlieh: computer
· Victor Grinenco: hardingfele
· Pablo Riquelme: acoustic bass guitar

· Refrain from listening to this album in the presence of animals. Please do not be insensitive
· No escuche este album en presencia de animales, no sea desconsiderado.

www.sahlieh.com
www.myspace.com/victorgrinenco

24.10.10

agustin genoud - instantes sonoros (2010)



La performance fue realizada en el evento Instantes Sonoros curado por Fabiana Galante y Jorge Mancini. Participaron del mismo Pablo Reche y Warnes con performances sonoras y Claudia Toro con una intervención plástica del espacio.El registro de la performance es de Carlos Murat. Nota: debido a la compresión del archivo la calidad de audio no es óptima y presenta picos en algunos momentos de la performance.
La tos del público está incluida dentro de la composición, el celular no.

----------------------

This performance was held at the "Instantes Sonoros" event cured by Fabiana Galante and Jorge Mancini. Pablo Reche and Warnes participated in the event with sound performances as well, and Claudia Toro with an intervention of the space. Carlos Murat registered the performances on video. Note: due to file compression audio quality is not the best and shows peaks at certain moments of the performance.
The public's cough is included within the composition, the cell phone is not.

www.myspace.com/genoudism

21.10.10

pablo reche + leonello zambón - [DES]AGREGACION


( comienza a los 4 minutos )




[DES]AGREGACION
00. a g r e g a c i ó n
01. d e s.a g r e g a c i ó n

10 de octubre de 2008, CCEBA

A partir de la reutilización de aparatos electrónicos simples de uso doméstico sometidos a hackeos que desvían las formas de uso, la pieza [des]agregación se propone construir y deconstruir sucesivamente un entorno sonoro-visual mediante la adición y sustracción de capas sonoras.
Los mecanismos más conocidos de agregación son los que se obtienen de la sumatoria lineal o multiplicativa. Mediante estos usos desviados, potenciando el uso/mal-uso de las conexiones, forma y función son puestos a prueba: pequeños televisores se convierten en instrumentos en donde las señales de audio y video son conectadas en forma inversa. La señal de audio modifica de esta manera la respuesta visual a la vez que la de video condiciona la producción sonora. A los métodos lineales de agregación, se suma así el feedback generado al invertir input y output.
Señales erosionadas, texturas granulares, abstracciones formales en multiplicación son el resultado de las modificaciones en la parte dura de estos aparatos analógicos a los que estamos acostumbrados a reclamarles “figuratividad”. Mediante los métodos de agregación/desagregación utilizados en la performance estas texturas sonoras y visuales forman parte de una estructura en donde la saturación progresiva de información sonora y visual nos lleva hacia un paisaje abstracto que pone a prueba cualquier voluntad de figuración.

www.myspace.com/pabloreche
www.vimeo.com/user1427501

21.9.10

aylu - viii (2010)


aylu - viii (mp3)

15 tracks.
23'40".

www.myspace.com/ayluaylu